Here it is the feedback from Assignment 4:
Overall I am happy with the comments and the impression that the images have caused. I am in the process of re-editing some of them and will be shooting in an urban setting next week, trying to include some people on the frame and hopefully getting a variety of colours to add some visual impact.
My tutor has given me a few tasks to take the assignment further and this is the part I enjoy the most from the report. So far, I have been researching the artists mentioned and found them inspiring. Rolf Sachs’ landscapes taken from a train combine the movement captured by using long exposures with interesting distortions produced by the landscape itself: as the train approaches a curve the angle and the motion create an unexpected distortion that makes it difficult to guess how the images are taken. Naoya Hatakeyama’s series called “Slow Glass” depict night scenes seen through a wet glass, accentuating the lines and shapes created by artificial light. The simplicity of the scenes invites to guess what hides behind the “slow glass”, enhancing the interaction between the viewer and the images.
As suggested, I have taken some night photographs using the same technique as for Assignment 4 (with the lemon saver container attached to my 50mm lens). I am extremely surprised with the results so far. I have selected some of the shots and enhanced or altered the original colours to add even more vibrance and dynamism.
There is an image I took in response of one of Naoya Hatakeyama’s photograph of a McDonalds store, as part of Exercise 5.2 (I will develop this further on the appropriate blog post). This is the image:
Although I am not planning to include any of these night scenes in the re-worked submission for Assignment 4, I am certainly interested in continuing with the project and add some more images regularly. I somehow feel the style of the images is far from what I usually shoot, specially in the use of colour, but I have found something stimulating that I enjoy doing. The abstraction of the images leaves some room to interpretation although some of them may look like something different. Most of the images were taken by pointing directly to the light source, which brought interesting geometric distortions. However, at the end of the experiment I started shooting pointing away from the light, increasing the exposures to capture a more atmospheric scene (as in the case of the fourth image of a sign on the pavement). This is something I have to try again next time, as I think it is more in the line of my work. I am really excited about this discovery and I can not be more grateful for having a tutor that pushes me to try new things. This assignment has opened my eyes even more to what can be achieved with an open mind. After practising with longer exposures I would also introduce some camera movement to see where this takes me.
I am also looking forward to shoot with a pinhole camera. I believe the idea may resonate with what I am looking to achieve in my photography or it seems adequate at least from theory. I have never tried this technique and I will be hands on it as soon as I move house after the festive period. For now, I have read about the authors suggested by my tutor. Both Alex Yates and Tom Hunter use a pinhole camera to produce some of their images. The way this technique allows Yates to represent natural elements such as fog, lakes and clouds is what I feel attracted to when I see his images. In the same way, the blurred edges and softness achieved by Hunter on his “Prayer Places” series capture my attention and curiosity. The colour quality of these last ones feels precious and the general atmospheric scene wraps you inside it.
We have also discussed the pointers for the next assignment, which has a rather general brief (this makes it even more difficult to choose a subject). I have some ideas in mind and I have welcomed both sources of inspiration suggested by my tutor. First, the blog Plenty of Colour is a good one to keep looking at from time to time. The images and projects presented show striking colour combinations and held a strong visual impact. Again, I am not sure how much I like colour or how could this reflect on my practice, but I have certainly a strange relationship with it. I am synesthetic in a way that words, numbers, shapes, times and other elements have “colour” in my head so I can be easily annoyed by certain colour combinations or the combination of an object with certain shape and certain colour altogether. I do systematically avoid colour in many aspects of my live (clothing, objects I buy, gadgets, decorative elements etc) or stay within a particular colour range in order to don’t feel “disturbed” by this condition (which is a great condition, I would say, I don’t complain!). This is one of the reasons why I feel a bit surprised with the experiment above and the colourful night scenes. The association my brain makes between colours and anything else in the environment make me perceive certain combinations as right or wrong, so the way I read an image has an extra dimension that comes to me spontaneously. I guess I could potentially be using this for an assignment or project one day, but the task of making others understand the feelings synesthesia bring and the way the brain processes these feelings seems a difficult one. There are other aspects of my synesthetic perceptions that could perhaps be easier to explain or represent, such as the shape of certain smells or names.
Another task derived from my research for Assignment 4 is exploring the way Laura Plageman creates her modified landscapes and try to apply a similar technique onto my work. I have started experimenting with this, although it is still early stages but I will be writing about my findings and sharing the results in a separate blog post.